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The ongoing work of restoring "lost" nineteenth-century women writers to the American literary canon often yields the added benefit of bringing to light experiences of ethnic groups left out of the dominant narrative of American identity. The opportunity to compare ethnic American literatures can provide fascinating new approaches to better-known authors like Pauline Hopkins, whose literary concerns extend beyond the social and domestic needs of her own African American community. Hopkins interrogates the very foundations of equality and democracy as the United States turns into the twentieth century, frequently flirting with nativist discourse as she does so. Conversely, the Schomburg Center for research in Black Culture holds one of the few extant copies of an 1888 work by Alice Rollins entitled Uncle Tom's Tenement; this critically un-examined and seemingly forgotten novel uses abolitionist language to describe the plight of Irish American women. As an Anglo-American middle-class woman writing about an Irish immigrant minority, Rollins invokes rhetorical strategies comparable to Hopkins's.
Both Hopkins and Rollins engage nativist discourse but more prominently deploy slavery as metaphor, either to highlight the ongoing vulnerability of African and Irish Americans in a hostile United States or to expose the roots of tenement poverty. The fraught issue of female sexuality epitomizes such vulnerability; voicing the political desires of under-represented racial and ethnic groups, particularly women, suggests that only pluralism and equal access to government can guarantee equal protection. Certainly, these two authorial agendas resist disavowals of African and Irish American capacity for self-government, not uncommon among Anglo-American politicians of that era. Hopkins, nonetheless, proceeds to empower her African American heroines without hesitation while Rollins proves more likely to appeal to Anglo-Americans on Irish women's behalf. Imitating Harriet Beecher Stowe, then, Rollins's moral logic preserves the distance between middle-class women of her own caste and scenes wherein social boundaries dissipate, leaving women of color vulnerable to sexual exploitation by Anglo-American men.
Anglo-masculine claims to power include a discourse of sexual purity that requires sexual self-restraint. Racist depictions of Irish and African American sexuality, projecting stereo-typically lascivious and disorderly sexual conduct upon racial or ethnic citizens, denied either group the capacity for self-government or participation in American national politics. Hopkins's and Rollins's demand for racial, ethnic, or gender inclusion in national politics, therefore,...